A Chat With Spaced’s Simon Pegg, Edgar Wright, and Jessica Hynes
Tuesday, July 29th, 2008Hands down, one of the highlights of my Comic-Con experience was getting to meet Simon Pegg and his Spaced cohorts, despite the brevity of our interaction. I sat down for a quick roundtable interview with Pegg and his costar on Spaced, Jessica Hynes, along with Edgar Wright, Pegg’s frequent partner in crime (Hot Fuzz, Shaun of the Dead) and the director of Spaced.
In the British comedy, Pegg and Hynes play Tim and Daisy, who rent a flat in London under the pretense that they are a couple. The show is filled with pop culture references and surreal experiences, and if you haven’t already, you ought to get ahold of the newly available Spaced DVDs. For now, check out some of the highlights from our chat.

Q: There are a lot of horror references in Spaced. How did that come about?
Edgar Wright: I think that really is my default setting of shooting everything like it was a horror film, for no apparent reason. I mean, there were definitely a lot of references in the script already, particularly to The Shining . . . The whole style of the show is very stylized and sort of kinetic because the characters are so drenched in pop culture, it’s almost like, if they ever had to describe their mundane lives, this [a horror movie] is what it would look like. So it’s almost like, you’re watching them recount their lives, rather than the actuality.
Simon Pegg: Yeah, ’cause they’re like, “I went to work in a kitchen and it was like One Flew Over the Cuckoo’s Nest.” Or, “I walked into the room that time and it was like the f—ing Evil Dead,” you know? And that’s what you actually see. All three of us love the idea of taking very mundane things and turning them into slightly more grand, cinematic things. Which we took forward into Sean of the Dead as well after having learned that on Spaced. Jess and I certainly wanted to have this world that was defined by popular culture, shaped by it.
The trio expounds on this and other things (like their intense admiration of Arrested Development), so






